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October Baby is a heart rending movie of a girl who has suffered a lot in the very early days or I should say minutes of her life. This film follows the life of a girl named Hannah who is a young college going girl, she has gone through a lot of health related issues in her life especially in her childhood but after proper medications and treatments, she triumphed over the problems and now is healthy. Watch October Baby online and you would come to know that all her problems are not yet over, as it is just the beginning. The problems starts to surface when she collapses before even saying the opening lines of the play she is participating in. After the tragic incident, she goes through various tests that determine that all the problems she had gone through is because of her unusual delivery and also she is an adopted child.

Her original or biological mother tried to abort her in her 24th week but luckily Hannah survived the abortion. But the abortion developed some complications in her and that is why she collapsed. Hannah is upset and furious after she learned the bitter truth of her life. After you download October Baby you would know that Hannah along with her cherished childhood buddy Jason go on a mission to find some answers about her life. She is looking for her true self as she still hasn’t come to terms that she has been adopted and her original mother intended to kill before even she was born. This film is not only about the agony of a young girl but also about how she takes charge of her life and look for answers that would make her understand the situation she is in and gone through in the past and also her perspective to look at life is going to change drastically. Watch this film and enjoy it with your loved ones.

October Baby could be a heart rending movie of a woman who has suffered lots within the terribly early days or I ought to say minutes of her life. This film follows the lifetime of lady|a woman|a lady} named Hannah who could be a young school going girl, she has responded to lots of health connected problems in her life particularly in her childhood however once correct medications and coverings, she triumphed over the issues and now could be healthy. Watch October Baby on-line and you'd come back to understand that every one her issues aren't nonetheless over, because it is simply the start. the issues starts to surface when she collapses before even saying the gap lines of the play she is collaborating in. once the tragic incident, she goes through varied tests that confirm that every one the issues she had responded to is attributable to her uncommon delivery and additionally she is an adopted kid. Her original or biological mother tried to abort her in her twenty fourth week however luckily Hannah survived the abortion.

The heartfelt but heavy-handed anti-abortion drama "October Baby" is the newest film from Provident Films -- the same production company behind 2008's "Fireproof" and last year's "Courageous" -- and it fits neatly in the pew alongside those other faith-based melodramas.That is, "October Baby" boasts admirably strong production values and a talented cast capable of generating heartfelt moments. And, like those earlier films, it manages to wear its faith proudly on its sleeve while resisting the temptation to climb up constantly into the pulpit.

That might give religious audiences something to "hallelujah" about, but beneath it all, the Alabama-shot "October Baby" is still little more than a sermon in disguise. What's more, it's a sermon that's likely to be wasted on the choir, as its co-directors Jon and Andrew Erwin's choice of subject matter is hardly the kind to attract nonbelievers.It's all built on the engaging onscreen presence -- and the Alyssa Milano smile -- of newcomer Rachel Hendrix. She plays the lead role, a bright and virtuous young college freshman named Hannah who, in the film's first few minutes, finds herself on the receiving end of a bombshell from her parents.Turns out, they're not her biological parents. She was adopted as a newborn, the product of a botched abortion.

However the abortion developed some complications in her which is why she collapsed. Hannah is upset and furious once she learned the bitter truth of her life. once you download October Baby you'd recognize that Hannah beside her cherished childhood buddy Jason continue a mission to seek out some answers regarding her life. She is probing for her true self as she still hasn’t come back to terms that she has been adopted and her original mother supposed to kill before even she was born. This film isn't solely regarding the agony of a young lady however additionally regarding how she takes charge of her life and appearance for answers that will build her perceive things she is in and responded to within the past and additionally her perspective to appear at life goes to vary drastically. Watch this film and revel in it together with your loved ones.

Fine performances and authentic emotion trump some heavy-handed speechifying in co-directing brothers Andrew and Jon Erwin's faith-based, anti-abortion drama "October Baby," a film whose poignancy is hard to deny whatever side of the abortion debate you fall on.Following an intriguing first act in which health-challenged 19-year-old Hannah (Rachel Hendrix) learns that she was actually adopted (after surviving a failed late-term abortion), Jon Erwin and Theresa Preston's script stumbles with lame attempts at humor and "hipness" as Hannah sets off on a road trip with friends — in an unreliable old VW bus, no less — to track down her biological mom.

A forced hotel stop involving Hannah and childhood pal and co-traveler Jason (Jason Burkey) — despite the actors' nice chemistry — awkwardly extends this interminable stretch.But once Hannah reaches her Mobile, Ala., destination and logically, if perhaps too conveniently, finds her birth mother (Shari Rigby), the film kicks in and becomes a more satisfying look at youthful trauma, family secrets, self-acceptance and forgiveness.The movie's greatest strength, however, lies in the sensitive portrayal of Hannah and her protective father's (John Schneider) deep relationship, which fractures after she discovers the long-hidden truth about her past.

Midway through October Baby there’s a scene in which a nurse played by Jasmine Guy delivers a lengthy monologue about her participation in a horribly botched abortion. The impassioned speech is clearly the raison d’etre of this earnest, faith-based drama, which lacks sufficient entertainment value to make its message go down more palatably.Its release well timed considering that the issue has dramatically reentered the political arena, this film co-directed by siblings Jon and Andrew Erwin will be nonetheless hard-pressed to find viewers outside of its target audience.

The story begins with 19-year-old freshman Hannah (Rachel Hendrix) suddenly collapsing onstage during a college production. In the subsequent medical examination she finds out that she’s the survivor of a late-term abortion which has resulted in her myriad medical and emotional problems. Oh, and that her father and mother (John Schneider, Jennifer Price) are actually her adoptive parents.The understandably shell-shocked young woman impulsively decides to go on a road trip with several friends, including platonic buddy Jason (Jason Burkey), with the plan of tracking down her birth mother. The pair eventually split off from the group, finding their relationship deepening as they come closer to Hannah achieving her goal.

The molasses-paced film is filled with scenes in which Hannah engages in endless, earnest conversations with various authority figures, including a helpful priest and a sympathetic cop who offers such sentiments as “Life isn’t always black and white” and “Hate the crime, not the criminal.” During the non-dialogue scenes the oppressive musical score, which includes pop songs obliquely commenting on the film’s themes, cues us as to exactly what we should be feeling.The filmmakers, longtime music video veterans, have delivered a technically polished production that belies the film’s low budget. They’ve also elicited mostly strong performances: Newcomer Hendrix is appealing as the anguished protagonist; Schneider provides earnest gravitas as the father; and Guy nails her big scene with a quiet intensity. But October Baby offers few surprises in its all too predictable, message laden tale.

After the crying and accusations of betrayal die down, Hannah decides to hit the road in an effort to find out "who I am." Hitching a ride with a group of friends heading to Mardi Gras in New Orleans -- all but one of whom are one-dimensional bits of pure comic relief at best -- she aims to start with a little investigating at the Mobile, Ala., hospital in which she was born.That creates all of the expected of opportunities for melodrama, between Hannah and her adoptive father (John Schneider), between Hannah and her best friend and potential romantic interest (Jason Burkey), between Hannah and nearly everyone else she runs across.But for all of its technical polish and for all of its earnestness, "October Baby" is built upon a shaky foundation. With a scattered, meandering script, a stable of throwaway characters and an almost laughably drawn-out ending, it's all amounts to standard movie-of-the-week fare dressed up in Sunday-go-to-meeting clothes.

Project X is another bundle of excitement that one can look forward to in the year 2012. The movie is full of thrill, exhilaration and anticipation that one seeks in a comedy drama film packed with rousing adventure providing nothing but immense edge-of-the-chair stimulation and pure entertainment. Download Project X to witness for yourself that it is not just another teen movie.The movie does revolve around young blooded men in the senior year of college.  Like any other teenagers, all they dream about is the popular image that they want to attain. College life is all about striving to be the renowned name known by every popular and unpopular person.

Going through many typical teenage problems, one is identity crisis which leads kids to adopt methods which can help them make their name known and popular. These three young bloods belonging to the senior class of high school are here to do the same.Watch Project X online to enjoy the overflowing stream of adventure of these three kids who plan to throw a party, which is hard to forget by their guests. As they begin to plan out the party and make the arrangements the word about the party spreads rapidly and they have their numerous guests ready to be a part and arrive at the venue.  The party begins and unravels something they never expected and converts to a bedlam. Experience the thrill that the unpredictable events of the story will bring to you with Project X.

Nima Nourizedeh brings on his latest youth-centric film on similar lines on films like The Hangover. With motives to turn this into a cult party film for the next generation, Nima dives deep into lives of the young and the reckless, for whom life is all about living it for the moment. The film starts with the portrayal of young ambitions to carve out and carry along and preserve high-school fame forever. High school seniors on the verge of bidding a final goodbye to school life get together to arrange an event that would be memorable enough to carve out their memory in minds of their juniors and the staff for the days to come by. The options available are looked into and hosting a party seems to be the most fruitful of all.

They decide to host a party that will be so insane that students and staff attending it will remember its organizers forever. As we get on to watch Project X online, we find the seniors strategically leaking out the plan by discussing it with some of the most talkative students on campus. The news rapidly spreads all over the campus, and in no time students all over start getting on with their plans of looking their best on the big night. The party begins, and insanity spills over with intoxicants flowing freely in abundance and students turning in the skimpiest of outfits one can imagine of. Crowds start increasing, and soon the chaos moves out of control and the party takes an unexpected turn, something that no one in that party was ever expecting.

Every generation has its high school party movie – an over-the-top film experience that compiles all of the terrible and zany things that happen when underage teens get together and drink too much. In the ’70s it was American Graffiti, in the ’80s, Sixteen Candles, in the ’90s, American Pie, in the ’00s, Superbad, and now, in the ’10s, it’s Project X.Unfortunately, where prior party films managed to offer compelling characters and intriguing (possibly cathartic) story beats that worked in the context of teens trying to make sense of their approaching adulthood, Project X is nothing more than a celebration of young people doing terrible things – to property, to animals, to themselves, and to the people they care about.

Like earlier generations (via their own party movies), current high school seniors may find things to identify with in Project X - from stolen looks with the hottest girl in class, to stumbling around drunk with your friends – not to mention the pressing need for acceptance driving you to do almost anything. However, for the rest of us, these moments aren’t likely to be quite as captivating.

The film was produced by Hangover director Todd Phillips, but unlike that film, Project X is short on compelling leading men, as well as entertaining comedy scenes. As a result, the compiled “found footage” fails to offer anything but cliché high school archetypes, subpar “did that just happen” moments, as well as a bizarre and completely convoluted through-line about what really matters in life. Basically, if you’re looking for anything more than one thousand teenagers demolishing a house and grinding on each other, there’s very little to enjoy in Project X.

The “story” is a basic rags-to-riches tale of a trio of unpopular teens who are bullied by jocks and cheerleaders – until Costa (Oliver Cooper) uses the birthday of best friend Thomas (Thomas Mann) as an excuse to throw an epic house party that will make the pair – along with their third-wheel, J.B. (Jonathan Daniel Brown) – socially relevant at school. At first, Thomas is reluctant to host the party, but is quickly won-over when Costa walks him around the campus pointing at all the hot girls that might show up. Of course, the party’s proposed fifty person limit is quickly overrun, and as more and more teens descend on the Mann household, pandemonium breaks out – resulting in the systematic destruction of the house, as well as the surrounding neighborhood.

It’s certainly possible for audience members to be won over by the film’s love for topless girls and midgets that punch men (and women) in the crotch; however, core elements lack any of the basic ingredients for anything approaching even a nominal film experience – ultimately preventing Project X from being anything more than a bottom rung (and senseless) celebration of debauchery and destruction.

As mentioned, the characters in Project X are clichéd high school archetypes – which, grounded in a better story, might have been passable. Unfortunately, not one of the three lead players is interesting or particularly enjoyable to watch from scene to scene. Thomas is resigned to a mish-mash pairing of freakouts and “time of my life” moments that make it difficult to feel bad for him when things get out of control. Similarly, Costa (the driving force behind the party) could be one of the least likable teen protagonists in movie history. While a similar balls-to-the wall disregard for others worked for Stifler (in American Pie), Costa lacks a key ingredient that made Seann William Scott’s character enjoyable: a workable sense of humor. Instead, the Project X character moves from one situation to another spouting least-common-denominator pick up lines that don’t translate into humorous moments onscreen and instead are likely to just make normal moviegoers feel bad for all the “Costas” they actually know in the real world.

Costa is representative of a larger problem in Project X – essentially that, without compelling characters to keep audiences invested, it’s hard to make sense of, or be concerned about, the onscreen chaos. The film never attempts to say anything profound about a culture where lying to your parents and throwing the biggest, most destructive party in history is the solution to self-esteem problems – a major offense for audience members who can’t be won-over by co-eds in a bouncy castle. That said, as a film, the biggest failure of Project X is the sheer lack of interesting set-pieces, as most moviegoers aren’t likely to be as upset about a shattered window or broken chandelier as Thomas (especially since it’s hard to like the guy).

These shortcomings are further complicated by the film’s “found footage” format, which attempts to ground the party as a real-life event, making all of the ridiculous antics and we’ve-seen-this-before character interactions all the more absurd – without adding anything interesting to the actual presentation. As the party rages, popular girls swoon to get a moment alone with Thomas, dozens of college co-eds swim topless in the family pool, and a riot even breaks out. Despite the format, the resulting onscreen (teenage?) action cannot be taken seriously and comes across as little more than a self-indulgent dream from someone who’s never been to an actual house party. This point is further evidenced by the resulting aftermath of the party, which shows a shocking lack of respect for the characters and the overarching situation – as the filmmakers dust over responsibility and divert the audience’s attention away from actually dealing with any challenging ramifications.

Unlike prior “house party” movies, Project X says nothing meaningful about its subject matter, and instead paints teens as an unlikeable and, worse yet, reckless bunch of automatons that would risk injury to themselves as well as others just for a passing glance from a pretty girl. However, the film’s greatest offense (far worse than its immature take on teen culture) is the surprising lack of entertainment value it presents. Aside from a few semi-outrageous moments (most of which can be seen in the film’s trailer), the party of the century is actually pretty boring on film.

What can you do for your country and countrymen? Can you lay down your life for them? Act of Valor is an inspiring tale of an elite team of soldiers. This film celebrates bravery and courage. Based on true life events, this film showcases how soldiers can do anything for their motherland.The plot revolves around this brave team of Navy SEALs. Warfare in modern world is very different and the team knows that. A CIA official is kidnapped and the rescue team discovers that it is much more than mere abduction of the operative. Watch Act of Valor online to find out that the team comes to know that a lethal terrorist plot is in the making that has the capability to bring down America. The best warriors must be called to crack this one. A crew of Navy SEALs is asked to look into the matter.

They leave immediately on a mission and this mission takes them to places, as the man behind the plot can be anywhere. The courageous men belong to the Bandito Platoon and they must stop a well-planned attack that can take many innocent lives in America. The mission is extremely dangerous and they need to handle the situation wisely because their family is patiently waiting for them. The team manages to complete the mission and they are extremely happy. The feeling of happiness fades away as soon as they discover that the mission was just the tip of the iceberg. Twists and turns await the team as they travel around the world.From Philippines to Chechnya to Somalia, the terrorist plot gets extremely dangerous. Download Act of Valor to find out how difficult and dynamic modern warfare is. The stream of events must be connected in order to crack and foil the evil plot.

This closely knitted action drama spins around the real life heroism that begins with the proactive Navy SEALs, which has been launched to fight against terrorism. The silver screen project is inspired by a real incident that took place in late 18th century. This contemporary anti-terrorism saga begins with the highly trained group of warriors, who have been trained to fight against the menace of the modern world. A deadly terrorist plot has been brewing at a faster pace and the team gets to know about it, when a CIA operative rescues. After getting acquainted with this new powerful mission, the army takes a decision to go on a manhunt that is supposed to destroy the men of terror. But the real trouble appears in front of them, when they find that a vague manhunt can slay the citizen of the country. The Bandito Platoon does all those things that can save the country and its men.

The lives of billions people are at stake and any unwise step can shatter the harmony of the entire country.  The army men have some commitments to their country and the people with whom they live but at the same time they need to fight with the attack that is expected to take place soon. The more they try to get closer to the terrorists a new twist comes into picture. Their every move brings forth a new twist and this compels them to go against the people around them. This deadly plot begins from Chechnya stretches to Mexican borders. The U.S. army goes from one place to another to uproot the global terror but it is not as easy as it sounds! If you are dying to explore more about the potentially unbelievable future of United States then you should watch Act of Valor online!

Act of Valor isn't the next Black Hawk Down. This war film manages to deliver intense and enjoyable action, but its story and characters are completely uninspired and its greatest strength, its authenticity, is also its greatest weakness.The story begins with an elite group of Navy SEALs heading out to rescue a kidnapped CIA agent. As the team embarks on this globe-trotting mission, they uncover the secrets of a large terrorist plot targeting major U.S. cities. The terrorist mastermind wants to get explosives into the States via his connections, forcing the SEALs to globe hop on a mission to stop the impending attack. Ultimately, the plot serves as nothing more than a means to bring us to the next firefight in a new locale. I was pretty bored during a majority of these non-action sequences, but there is a well-crafted scene or two hidden in mix (the interrogation, for example). While this movie obviously brings plenty of action to the table, the 111 minute run time feels a bit long, especially when we're in the middle of an action dry spell.

Act of Valor has been heavily promoted as a movie about Navy SEALs starring real life Navy SEALs. The men filmed the movie between missions and allegedly used live rounds on set. Watching these highly trained men at work is simply awesome. You've got to respect the constant training they've undergone to perform these tactical feats and seeing the strategies unfold is impressive. While the directors have strived for authenticity in the action and depiction, it comes at a cost. While I respect the fact they're having the best qualified people portray these heroes, these guys are soldiers, not actors; they lack the ability to deliver much more than a monotone delivery and they can’t bring any emotional weight to the story until Act of Valor's final act.  

To make matters worse, you won't develop any kind of connection to any of the characters except for the primary two. Act of Valor’s entire story focuses heavily on the two main SEALs and the two (very) stereotypical villains. That's a shame, too, because the rest of the SEAL team is introduced one-by-one and it's clear they each had the potential for their own distinct personalities and skill sets, but the majority of the team aren’t more than bit players and passive players.

Directors Mike McCoy and Scott Waugh help immerse us in the action with some very unique camera work and the switch to a first person action perspective is organic most of the time. Make sure you get to the theater early so that you don’t have to be stuck in one of the first few rows, because sometimes the shaky camera work during these sequences is too overwhelming, and some of back-and-forth jumps from the SEALs point of view can be nauseating.Overall, the firefights are without question the highlight of Act of Valor and it'll leave you satisfied if that's all you want from the film. If you're looking for the next classic war movie to pass on to the next generation, odds are this isn't going to be the one.

If only the character moments were as effective as the visceral combat scenarios. The plot spends a lot of time centered around two Navy SEAL squad mates and best friends –  showcasing the “true life” experiences servicemen endure as well as their “acts of valor” on the battlefield. However, in their effort to bring authenticity to the proceedings by using actual SEALs, McCoy and Waugh ultimately undermine the success of the realistic and gritty combat sequences with stilted dialogue and stiff performances from their lead actors. It’s obviously a touchy subject – since these are real people who have (and continue to) risk their lives for their country; however, more experienced actors could have ultimately provided a better foundation for the film’s onscreen emotional core.

As a result, a number of the movie’s would-be character revelations come across as somewhat forced and flat-out cheesy – though, again, viewers who have an external investment in the characters (via their own experiences) will likely find these exchanges to be some of the more powerful moments in the film, even if they aren’t delivered in an Oscar-worthy monologue. In terms of making an all-around accessible and captivating fiction film experience, it’s hard to understand why the directors didn’t employ the best of both worlds: use the SEALs to ground the action sequences and bring in a few professional actors to make the lead character moments really sing.

Ultimately, the film’s greatest asset, the real life Navy SEALs (and their insight), create a strange mix of successes and failures that at times enhance the experience and on other occasions don’t translate very well from reality to film. Much like the acting, there are moments where the filmmakers overindulged in reality and undermined immersion – offering a few flat-out all too “convenient” moments that probably have occurred on the battlefield (one involving a close-range RPG, especially), but come across as emotionally manipulative when viewed as part of a manufactured film project. Similarly, while the film’s thin video game-esque storyline plays out like a mission logbook, and showcases the various aspects of military ops, it never bothers to develop the characters beyond anything but basic stereotypes – meaning that even though the story is on the surface realistic, there’s very little for certain portions of the audience to connect with in the moment or ponder once the credits roll.

It’s easy to recommend Act of Valor to military enthusiasts and servicemen, who will no doubt see themselves in the characters on screen, and action fans will also find plenty to like in the movie’s various combat sequences. However, moviegoers expecting a fully-formed storyline with compelling character drama may ultimately be underwhelmed by the very moments that other members in the audience will find most compelling. As a result, the overall response to Act of Valor is likely to spark one of the most divisive movie conversations of 2012.

This computer animated 3D film released by Universal pictures and produced by Illumination Entertainment is based on the eponymous book for children by Dr. Seuss. Beginning on the note of love, the film rolls on to revolve around the life of TRed, a young boy, filled with ideals and emotions dwelling in the city of Thneed-Ville. As we watch Dr. Seuss’ The Lorax online, we get to know that apart from its inhabitants, everything else that the city comprised was artificial. He finds his soul grappling with love for this young lady, Audrey, who eventually turns into the girl of his dreams with an inherent passion for real trees. He decides to grow the finest of trees for his love and to fulfill her dream, embarks on a search for seeds. Soon he realizes that the entire city has been cut off from the outside world and seeks the assistance of the lonely character, Once-ler.

Download Sr. Seuss’ The Lorax movie to hear the recluse narrating his encounter with the charming yet grumpy guardian of the land, Lorax. The moment the young businessman introduces a rebellious invention from the tufts of the native Truffula Tree, serious overproduction takes place, causing depletion to the forest and isolation of Ted’s hometown. Ted is motivated after hearing the whole story to an extent that with the last Truffula Seed, and blessings of Once-ler, Ted moves out to remind people of his town, the important of taking care of and preserving nature. On his way, Ted finds a lot of hatred in store for Lorax within the Mayor and his close accomplices, who knit together a barrier that Ted has to push aside in order to turn successful in his objective.

Dr. Seuss’ The Lorax is one of the most phenomenal animated works ever to be projected on the big screen. The movie is an adaptation of the children’s novel by the same name, written by the deceased and highly acclaimed author, Dr. Seuss. The movie’s release date coincides with the 108th death anniversary of the writer, making it a tribute of sorts to the legacy that he left behind. If you wish to be a part of this honorary celebration, starring the likes of Zac Efron and Taylor Swift, you can watch Dr. Seuss’ The Lorax online to do so.

The movie follows the escapades of its central character, a young boy named Ted, as he sets off on an unlikely mission, in search of a real tree. While that may sound as an easy task in the world that we live in, it is a herculean task in the city of “Thneed-Ville”, which is home to Ted. The city’s peculiarity is that it is sealed from the real world, and the only thing that is not artificial in it is its people. That is why, Ted’s love interest, a lovely girl named Audrey, expresses her greatest wish as the desire to see a real tree. The movie amidst all its fun and 3D frolic, gives us a rather grim glimpse into what the world ahead is likely to be, if we mercilessly keep axing the trees and depleting forests around us. With the fuzzy, yellow creature The Lorax serving as Ted’s sole companion in his challenging mission, and the shady mayor of Thneed-Ville, O’Hare leaving no stone unturned to wreak havoc over their efforts, the movie is packed with thrill galore!

Dr. Seuss was ahead of his time. A flat-out creative innovator. Cementing his trademark wild and free renderings and rhyming linguistic liberties, 1957's "The Cat in the Hat" brought mainstream children's books into the realm of absurd yet agreeable anarchy. There were many great books in the surrounding years, but with 1971's "The Lorax", the good doctor delivered a moral tale of levelheaded environmentalism before there were such things as eco-politics and environmental activism. And perhaps since Seuss (actually Theodor Seuss Geisel) was quoted having said, "kids can see a moral coming a mile off," he boldly left the tale unresolved, with only the possibility of hope. A few years later, the author teamed with his friend, animation genius Chuck Jones, to faithfully and memorably adapt "The Lorax" into an animated short.

Cut to now: The makers of "Despicable Me" (a fine and funny film in its own right) have seen fit to take on "The Lorax" via three dimensional computer animation. The result is a clearly pained effort to please everyone. The film strives to be loyal to the source material, but also wants to pander to children in an obnoxiously modern, completely non-Seuss-ian way. Even if one is unfamiliar with the book (and one shouldn't ever need to be familiar with source material in order to enjoy an adaptation), this clashing dichotomy breeds failure at the core of the movie. These filmmakers may understand that Dr. Seuss' sensibility was wacky, but the adaptation they ended up making is tonally whacked. Now we have Dr. Seuss in 3D, reminding us that he wasn't just ahead of his time - he's in your face!!! The wizened old Lorax (voiced by Danny DeVito, reasonably typecast) may look the same in his CG form, but this version is loud and combative whereas the original was all about slow-burn truth saying and passive justice. We know that eventually, the Once-ler gives Ted the very last seed of the very last tree. But what happens after that? A crazy 3D high speed chase, of course!

The actual story of the film is all-new, consisting of a young boy named Ted's (voice of Zac Efron) quest to win the heart of a girl (Audrey, doing little more than enabling the plot, voiced by Taylor Swift) by bringing her a rarely glimpsed, perhaps mythical thing called a "tree". They all live in a "Truman Show"-like domed, sealed town called Thneedville that is completely artificial, right down to the inflatable bushes and light bulb trees that adorn the yards. Ted's mother explains to him how a light bulb tree is superior to a real tree by shifting the light colors at the push of a button: "We have winter, spring, summer... and disco!" (Needle-drop "The Hustle" as a glitter ball emerges and she does a little dance. Yeah.)

Corporate greed has come a long way since 1971, and the filmmakers acknowledge that with a newly created villain, a sawed-off mogul named Mr. O'Hare (Rob Riggle). O'Hare has mastered the art of creating circular corporate dependence with his O'Hare Air, a company that is too big to fail. (A sign says so!) O'Hare has made a fortune selling clean air to the people of smog-filled Thneedville, and now has a plan to push it to the next level by selling them bottled air (since market research shows that people will buy something if it's in a plastic bottle), a product of his factories that are directly responsible for the smog in the first place. As long as everyone stays happy in their domed city with their fake trees - and no real ones, since they make clean air on their own! - all will continue as is, and Mr. O'Hare will only grow richer. Unlike the Once-ler's downfall, there is no finite end to his raw materials - he's literally selling people nothing. Eco-irresponsibility was the Once-ler's weakness, actual knowledge and a motivated populace is O'Hare's. Any way you look at it, it's all greed-driven - and kids can see that from a mile away.

As Ted must go convince the banished Once-ler to help him in his quest, the film becomes a sort of "The Silence of the Lambs" for kids. Ted is Clarice, the Once-ler is Hannibal Lecter, and O'Hare is Jame Gumb. It's tempting call the Thneedville/O'Hare portions "bookends" or "framework" to the book's story, which is reduced to a glorified flashback that eats up the prolonged middle of the film, but that's not right. The flashback is wedged into the center of the film, and is meant to explain first and foremost what happened to all the authentic trees and pure nature, and perhaps secondly, to make some sort of point about cyclical human greed and rampant disregard for our planet. The previously unseen Once-ler (the regretful character who once upon a time indulged in nature-destroying greed in order to mass-produce Thneeds, a product no one needed) is now striped of his mystery (which always sent my imagination surging as kid) and is given a human face and the disingenuous voice of Ed Helms. In most any other film, the content detailed in the Once-ler's flashback would run five, maybe ten minutes tops. But since this adaptation exists only because of the iconic source material, it gets decompressed as the movie's newly fabricated macro story is put on hold. The Once-ler essentially says so much, repeatedly prodding the boy that if he wants the tree, he has to sit through this story. (Hey, I sat through it, too - do I get a tree?)

Where most children's films of the past few decades are compelled to preach about things like tolerance and environmentalism, "The Lorax" takes this notion a step further by deeply questioning the very way many people live their lives. (That is, pacified and blitzed out in a consumer culture, checked out from an increasingly artificial world.) It's bit of a bold move for a film like this to turn the mirror towards ourselves, revealing such an uncomfortable reality, even if it is only for isolated moments. What we end up with, perhaps amusingly, is practically a cinematic call to arms. As noble as this endeavor may be, it's utterly botched in the heavy-handed execution.

"Dr. Seuss' The Lorax" is colorful and bright, with 3D that's actually not a waste (even if director Chris Renaud's use of it isn't as clever as what he was doing in "Despicable Me"). Certainly the late Theodor Geisel would approve of that aspect. But the problems inherent in the bungled sensibility of "The Lorax" film are fundamentally unsettling, leading one to question the true motivations behind Seuss' estate's in licensing their patriarch's work all over Hollywood. George Clooney's relatives in "The Descendents" can't help but come to mind, especially as we consider this ham-fisted CG diatribe against greed. If that double standard isn't clear enough, the Lorax character can currently be seen hawking fuel-guzzling cars on commercials. We are all children of the age of corporate greed, but hopefully by looking at this film from all sides, we too can see the true moral from a mile away.

The Hunger Games, an intense action drama spins around in the poor district of Panem, which once used to be known as North America. Drought, famine and wars have crumpled the entire region, and have turned a united country into a Capitol with 12 districts. Every year, two young envoys from each district take part in competition to participate in The Hunger Games.It not like some fun centric game, for taking part in it is equivalent to digging graves. This brutal game is an interesting dose of entertainment for others, and gets televised in all the districts. If you also want to see this interesting fight, don’t forget to watch full The Hunger Games. The 24 young participants evict their competitors one after the other to make a strong place for themselves.

But the real game begins when a 16-year-young lass, Prim gets selected to represent the district, but Katnis, her elder sister volunteers to participate in place of Prim. It is not as easy as it sounds and both Katniss and her male counterpart, Peeta, encounter the champs of the game, who are trained to fight against them for their whole lives. Download The Hunger Games to catch all the spectacular events of this highly intriguing drama. Will the not-so-trained representatives of the Panem district lose their lives in the game which is meant to entertain others? What happens when they reach war front to encounter the skilled ones? Watch The Hunger Games online to explore where this war ends!

The Hunger Games is a sci fi action film based on the popular book of the same name by acclaimed author Suzzane Collins. Set in a fictional country called Panem and the date is unknown. Panem is built on the ruins of North America. When a country or continent is demolished then only a new civilization can come up and this is what the story of Panem is. This place consists of 12 districts. Watch The Hunger Games online as it revolves around the life of Katniss Everdeen a 16 year old girl who is chosen to participate in the evil game called The Hunger Games. The format of the game is pretty simple – fight to death. 24 teenagers from 12 districts are chosen each year and they have to fight in this much hyped death game. This game is like entertainment for the people of Panem. Every year, the districts are asked to choose one boy and one girl (teenager) to test whether they are worth living or not. The participating teens are also known as Tributes.

The prime aim of this game show is to add force to the power of the government. Katniss is not selected from her district but her sister is chosen this time. She doesn’t want her to be a part of the game as it is extremely dangerous for her. She suggests her name and is ready to fight in the game. She needs a mentor and the only person who can help her out is Haymitch Abernathy who was once the champion of the game. The only problem with Haymitch is that he is an alcoholic so what he is going to teach her remains ambiguous. Though well trained, she still has to fight with fighters who are experienced and can take down anyone. In order to come up as a champion Katniss must depend on her instincts and strike. The best is going to win and the best is only going to survive and live for the rest of his or her life.

Following the conclusion of the Harry Potter and Twilight book series, which wrapped-up in 2007 and 2008 respectively, Suzanne Collins’ The Hunger Games became the next “big thing” for young adult fiction readers. However, much like the darker themes presented in the later Harry Potter installments, The Hunger Games explores some especially heavy material – making it a go-to book series for not just young adults, but plenty of readers who also enjoy deeper literary offerings. As a result, it’s no surprise that The Hunger Games film adaptation has, for some time, been one of the most anticipated movie events of 2012 – setting records for pre-release ticket sales and opening weekend sold-out shows.That said, does writer/director Gary Ross (Seabiscuit and Pleasantville – not to mention writing credits on Big, Dave, and Mr. Baseball) ultimately deliver a Hunger Games film adaptation that accurately transports fan-favorite characters and events onto the big screen – as well as offering up an entertaining movie experience for audience members who haven’t bothered with the books?

Despite a few hiccups that come with distilling a 350 page book (told in first person) into a two hour and twenty minute film, The Hunger Games is not only a solid adaptation of the source material – it succeeds at covering a copious amount of backstory, while at the same time delivering some genuinely entertaining (and at times, thrilling) moments, even for those who are still unfamiliar with the book series. The Hungers Games books are jam-packed with supporting characters and in-depth mythos – and so is the film adaptation (at times to a fault).The basic story takes place in a dystopian future where the Capitol rules over the country of Panem (in what used to be North America) – and uses “The Hunger Games” to suppress the surrounding districts. Each year, the Capitol randomly selects one girl and boy from each of the twelve districts to participate in the Hunger Games – where the 24 “tribute” children fight to the death until only one remains.

When young Primrose Everdeen is chosen as tribute at the District 12 “reaping,” her big sister, Katniss (Jennifer Lawrence), volunteers to fight in her place. Katniss is joined by fellow District 12 tribute, Peeta (Josh Hutcherson), a strong but insecure baker’s son, and the two embark on a (one way?) trip to the Capitol to face off against the other district tributes (as well as one another). However, with guidance from District 12 resident (and previous Hunger Games winner) Haymitch Abernathy (Woody Harrelson), stylist Cinna (Lenny Kravitz), and chaperone Effie Trinket (Elizabeth Banks), Katniss and Peeta quickly discover that to survive the games they’ll need more than just fast feet and good aim.

The central storyline from the books remains intact for the film adaptation, as Katniss attempts to make sense of her situation – both in terms of attempting to survive the Hunger Games (inside and outside of the arena), as well as the difference between illustrious Capitol life and the stark poverty she experienced back home in District 12. Katniss requires a lot from Lawrence (both physically and emotionally) and, as usual, the actress delivers a good, nuanced performance. While the role isn’t likely to get her another “Best Actress” nomination at the Oscars, she does more with this genre piece than most of her peers might have attempted (just as she did with Mystique in X-Men: First Class).

There’s little doubt that some moviegoers will dismiss The Hunger Games as the next Twilight saga – in terms of the quality of the acting and production values. However, as we addressed in our article detailing “5 Facts About ‘The Hunger Games’ Movie for Those Who Haven’t Read the Books,” Ross actually lined up a lot of top-tier acting talent (up-and-comers as well as Hollywood veterans) to ground the horrific events depicted in The Hunger Games with believable (and meaningful) performances. Hutcherson (as fellow tribute Peeta) also succeeds in keeping up with Lawrence – presenting one of the more interesting characters in the film (even with a pink-haired Elizabeth Banks and drunk Woody Harrelson running around); Hutcherson also delivers during a pair of especially contemplative moments.

Unfortunately, even Peeta isn’t safe from the book-to-film adaptation process – as  many side characters are left entirely undeveloped or presented with somewhat muddled motivations. The scope of the film leaves some character actions and motivations a bit vague, which will cause non-fans to leave the theater with a mixed impression of who they are.  In the case of Peeta, despite a full character arc that works on the surface level, his in-arena motivations aren’t nearly as cohesive (or as interesting) as they are in the source material. In addition, the “Mockingjay,” which has major thematic importance (not to mention practical application) in the book series goes almost entirely undeveloped in the film, and despite a lot of onscreen time that’s spent on the subject, doesn’t ever come full-circle. These aren’t just “adaptation” nitpicks, in terms of what is shown on screen – the film leaves plotholes that could be confusing for general audiences (given the time that was spent setting them up).

Similarly, with one or two exceptions, the non-District 12 tributes are mostly just blank caricatures that leave next-to-no emotional impact as either victims or villains. Obviously, with 24 tributes, not to mention a number of non-Games side characters, it would be hard to get to know everyone (a lot of the kids are throwaways in the book); however, as a film (as opposed to a book – where Katniss is limited to first person), the experience could have benefited from a bit more time spent with a few other tributes – so that as they attempt to slaughter (or help) Katniss, they’d have more impact than just the immediate onscreen action. It’s a tricky balance, and though the director succeeds overall, there are times when The Hunger Games seems more concerned with building up the larger world in preparation for a sequel, than fully serving some of the moments and characters featured in the current installment. That said, Ross does succeed in utilizing the film medium for the better, such as when he makes up for the lack of Katniss’ internal thoughts by smartly implementing external sources for much needed exposition (via the game announcers and production team).

It needs to be said that some moviegoers – those expecting an epic action movie experience – may also find that the film drags (especially in Act 2), given the lengthy run time. Anyone interested in the series mythos will be sated by seeing book characters re-imagined on the big screen, but prior to the actual Hunger Games, there are very few (read: zero) large-scale action pieces to break up all the world-building and exposition. Patient moviegoers will enjoy plenty of intriguing character drama, but there’s no doubt that the film (like the books) relies heavily on the back end to hit its action quota. Ultimately, action fans may still be underwhelmed by the actual Games themselves.

Quick, frantic cuts probably helped the film maintain a PG-13 rating, given all the teenagers that die on camera, but as a result, the film is short on captivating battle choreography or epic one-on-one confrontations. Instead of large-scale action set pieces, The Hunger Games movie presents a story about Katniss surviving (and often hiding) – not outright hunting down her fellow tributes – and because of that, the Games portion (despite loads of tense moments) could prove to be underwhelming. In the end, the film is better off for the restraint that Ross employs – since it keeps the focus on Katniss and her plight (not over-the-top CGI explosions) – but it will limit the entertainment value of the onscreen action for some moviegoers.

As the first installment in what will be a four-part film series (based on a three-part book series), Ross has done a solid job establishing the series’ major players, as well as the ins and outs of Panem society. Ultimately the director crams a lot of quality content into the film’s two-hour twenty-minute runtime – though some plot threads, scenes, and characters are underserved by the movie’s conclusion. While The Hunger Games is not a non-stop fight-to-the-death action film, it succeeds at being something even more interesting – a fascinating and disturbing (not to mention tense) character drama that successfully captures the core themes of the book.