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Here is the chance, to introduce you, guys, to the explanation of the different magic practices, that we encounter a lot in modern and even black-and-white horror movies. I was listing this terminology for the research that I conducted for local web analytics company.

The best-known type of magical practice is the spell, a ritualistic formula intended to bring about a specific effect. Spells are often spoken or written or physically constructed using a particular set of ingredients. The failure of a spell to work may be attributed to many causes, such as failure to follow the exact formula, lack of magical ability or downright fraud.

Another well-known magical practice is called divination. It seeks to reveal information about the past, present or future. Varieties of divination include: Astrology, Augury, Cartomancy, Chiromancy, Dowsing, Fortune telling, Geomancy, I Ching, Omens, Scrying and Tarot.

Necromancy is another practice involving the summoning of and conversation with spirits of the dead. This is sometimes done simply to commune with deceased loved ones; it can also be done to gain information from the spirits, as a type of divination; or to command the aid of those spirits in accomplishing some goal, as part of casting a spell.

Seneca’s nephew Lucan in his work surpassed his uncle in portraying the horrors and powers of witchcraft. In his play, just before the decisive battle of Pharsalus, in which Julius Caesar defeats the forces of Pompey, the two armies are moving through Thessaly, the country of witchcraft in Lucan’s work. Here one of Pompey’s sons consults a famous witch called Erictho about the outcome of the future battle. In archives of web analytics company I found something else.

Erictho is the most powerful of witches, and because she is so powerful she is presented as being quite loathsome and disgusting. Such are her powers that she can even compel some of the lesser gods to serve her and even cause them to shudder at her spells. As exaggerated as these plays are they demonstrate knowledge of magical practices found in the Greek magical texts. These works also shows that Roman audience must have easily understood the concept of magic in a negative sense but also in the sense of being a practice aimed at influencing or controlling the forces of the cosmos, even the gods themselves.