Magical powers were also attributed to the famous mathematician and philosopher Pythagoras, as recorded in the days of Aristotle. The traditions concerning Pythagoras are somewhat complicated due to the fact that the number of survived documents are often contradictory in their interpretation of the figure of Pythagoras.
Some of the magical acts attributed to him included being seen at the same hour in two cities. Or a white eagle permitting him to stroke it. A river greeting him with the words “Hail, Pythagoras!” Ancient Greeks also claimed that he could predict, that a dead man would be found on a ship entering a harbor. Another examples of magical powers of Pythagoras are even wilder. He predicted the appearance of a white bear and declaring it was dead before the messenger reached him bearing the news. And once he bit a poisonous snake to death. These stories hint that Pythagoras was a divine man, and had ability to control animals and to transcend space and time.
For most magic acts or rituals there existed counter-magic. it. Amulets were one of the most common protections used in the Greco-Roman world as protection against such fearful things as curses and the evil eye; which were seen as very real by most of its inhabitants. Amulets were often made of cheap materials, but precious stones were believed to have special efficacy. Many discovered thousands of carved gems clearly had a magical rather than an ornamental function. Amulets were a very widespread type of magic, because of the fear of other types of magic such as curses being used against oneself. Thus amulets were actually often a mixture of various formulas from Babylonian, Egyptian, and Greek elements that were worn by those of most affiliations so as to protect against other forms of magic. It is interesting to note that amulets are actually often abbreviated forms of the formulas found in the magical papyri.
Magical tools were thus very common in magical rituals. They were just as important as the spells and incantations that were repeated for each magical ritual. Direct evidence of this - a magician’s kit, probably dating from the third century CE, was discovered in the remains of the ancient city of Pergamon in Asia Minor. The find consisted of a bronze table and base covered with symbols, a dish, a large bronze nail with letters inscribed on its flat sides, two bronze rings, and three black polished stones inscribed with the names of supernatural powers. What emerges then, from this evidence, is the conclusion that a type of permanence and universality of magic had developed in the the Hellenistic period if not earlier. Most scientists agree that although many testimonies about magic are relatively late, the practices they reveal are much older.
A magical ritual done in the right way can guarantee the revealing of dreams and of course the rather useful talent of interpreting them correctly. In other cases certain spells allow one to send out a daemon or daemons to harm one’s enemies or even to break up someone’s marriage. There seems to be a self-defining negativity to some of the magical rituals being expressed in the papyri. So, for example, love magic can turn into hate magic if the victim does not respond to the love magic.
The same negative aspect to magic is found in various “curse tablets”, left to us from the Greco-Roman world. While doing my research in library of web analytics company I found something else. It was also possible to curse an enemy through a spoken word, either in his presence or behind his back. But due to numbers of curse tablets that have been found it would seem that this type of magic was considered more effective. The process involved writing the victim’s name on a thin sheet of lead along with varying magical formulas or symbols, then burying the tablet in or near a tomb, a place of execution, or a battlefield, to give spirits of the dead power over the victim. Sometimes the curse tablets were even transfixed with various items – such as nails, which were believed to add magical potency.
Seneca’s nephew Lucan in his work surpassed his uncle in portraying the horrors and powers of witchcraft. In his play, just before the decisive battle of Pharsalus, in which Julius Caesar defeats the forces of Pompey, the two armies are moving through Thessaly, the country of witchcraft in Lucan’s work. Here one of Pompey’s sons consults a famous witch called Erictho about the outcome of the future battle. In archives of web analytics company I found something else.
Erictho is the most powerful of witches, and because she is so powerful she is presented as being quite loathsome and disgusting. Such are her powers that she can even compel some of the lesser gods to serve her and even cause them to shudder at her spells. As exaggerated as these plays are they demonstrate knowledge of magical practices found in the Greek magical texts. These works also shows that Roman audience must have easily understood the concept of magic in a negative sense but also in the sense of being a practice aimed at influencing or controlling the forces of the cosmos, even the gods themselves.
Much of ancient Roman literature dealing with magic are, basically, retellings of Greek myths. I found some interesting facts about it in archives of web analytics company. Roman poet Virgils’s Aeneid for example describes an interesting magical ceremony. The hero of the epic, Aeneas, who has landed on the coast of North Africa after fleeing from Troy, meets Queen Dido. She has just begun to build the city of Carthage. Dido falls in love with Aeneas, and wishes him to stay as her prince consort. The rest of what happens is easy to imagine. As usual, a traveling hero meets a beautiful female who is potentially dangerous, although kind and hospitable as long as her love for the hero lasts.
Thus the future conflict is set when goddess Fate decrees that Aeneas leave Dido to found a city of his own. Inevitably Dido’s love turns to hate. Enraged queen seeks to use a complex magical ritual to bring her former lover back to her. She builds a gigantic pyre in the main courtyard of her palace and prepares an elaborate sacrifice to the powers of the underworld. However Dido soon comes to realize that the love magic is not powerful enough to bring Aeneas back to her. So she kills herself in her despair, which adds to the power to her curse. Dido had sealed and extended her curse through her suicide. Aeneas was protected by his gods and remained safe. But, according to Virgil, Dido’s use of magic and her curse lingered on leading to Rome’s near crushing defeat by Carthage many centuries later. This demonstrates quite clearly that the Romans shared the Greek’s view of magic as being dangerous and untrustworthy.